{"id":64,"date":"2018-11-01T17:00:17","date_gmt":"2018-11-01T22:00:17","guid":{"rendered":"https:\/\/wp258652.wpdns.ca\/?page_id=64"},"modified":"2024-09-17T11:40:28","modified_gmt":"2024-09-17T16:40:28","slug":"filmography","status":"publish","type":"page","link":"https:\/\/wp258652.wpdns.ca\/?page_id=64","title":{"rendered":"Filmography"},"content":{"rendered":"\t\t
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THE BLUEBERRY BLUES (2024)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Summer unveils a new blueberry season in Quebec. The fields are covered in blue and workers from all over scramble before the frost puts an end to the harvest. And yet this time of year is much more than just picking: it’s a time of music and connection.<\/span><\/p>

Directed by Andr\u00e9s Livov<\/span><\/p>

Produced by Andr\u00e9s Livov and Iphig\u00e9nie Marcoux-Fortier (Les Glaneuses)<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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IBUKA JUSTICE (2024)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ibuka Justice<\/strong><\/em> follows Valentine and Jean-Claude, a new couple, at the very start of the civil war and massacres that swept through Rwanda in 1994. Living in Kigali, the national capital, these young parents make numerous attempts to escape the massacres with their newborn son. Ibuka Justice<\/strong><\/em> is a poetic work, full of gentleness and lucidity, about a historical tragedy experienced through the intimacy and formation of a young family forever united<\/span>.<\/p>

Directed by Justice Rutikara<\/p>

Produced by Myl\u00e8ne Augustin<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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OUJDA 1945 (2024)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Since she was a kid, Anne has always been angry. Just like her father. From 16mm footage of 1950s Morocco to family outings filmed in Super 8, the filmmaker delves into her family archives and the story of her father, eager to learn about the violence that inhabited him. Oujda, 1945 is a film essay uncovering a deep family secret that gives way to a terrible legacy:\u00a0 a grandfather\u2019s involvement in the colonial system.<\/span><\/span><\/p>

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A disabled man living in Ottawa at the time of the freedom convoy protests ruminates on the concept of freedom.<\/span><\/p>

Directed by Scott Jones<\/p>

Animation by Jenna Marks<\/p>

Produced by Scott Jones<\/p>

2024 Atlantic International Film Festival<\/strong><\/p>

2024 Ottawa International Animation Festival<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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IRIS (2023)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ever since Iris, a French-Congolese woman, left Montreal, she has nurtured her relationship with Gabriela through voice messages. In this film, her voice gives hints of a return that exists only through the gaze of director Gabriela\u2019s camera. Exploring the boundaries of documentary language the film conveys us to a dreamlike non-place, where the form of a faceless woman intermingles with the fluidity of waterscapes, of clouds and wind.<\/span><\/p>

Directed by Gabriela de Andrade<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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To make up for the absence of his seven-year-old daughter who lives in Berlin, a Montreal filmmaker keeps a film diary that conjures up his relationship with his adoptive father and his biological father, whom he never knew. Diary of a Father<\/strong><\/em> is a poetic response to help make the separation between a father and his daughter bearable.<\/span><\/p>

Directed by Paul-Claude Demers<\/p>

Produced by Paul-Claude Demers<\/p>

2023 RIDM Montreal International Documentary Festival<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Quebec political prisoners serving life sentences die one after the other in their prison cells.
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Directed by Simon Lavoie<\/p>

Produced by Simon Lavoie and GPA FILMS<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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THE BONES (2023)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Bones<\/em><\/strong> is a stunning, cinematic exploration of the high-stakes world of dinosaur bone trading, where obsessive collectors compete with museums, scientists, and high-end auction houses to own a piece of the past. It\u2019s a story of intrigue, an illicit caper at the collision of science, commerce, and a dark colonial legacy.<\/span><\/p>

Directed by Jeremy Xido<\/p>

Produced by Ina Fichman<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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THE LAST MEAL (2023)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Reynold is dying from stomach cancer. Gradually unable to eat normally due to his condition, he resigns himself to starving to death. Grim memories surface of how he had cheated starvation once before as a prisoner in Fort-Dimanche Prison. The last meals that he can still eat provide an opportunity to share these memories with his daughter Vanessa, who he has not seen for 20 years.<\/span><\/p>

Directed by Maryse Legagneur<\/p>

Produced by Fran\u00e7ois Bonneau and Bernadette Payeura<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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PRINT TIME (2022)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In the form of a collage of carefully selected archive footage from corporate films of the 50s and 60s, Print Time<\/strong><\/em> is a metaphor for the evolution of the human condition.<\/span>
From the American dream to the failure of modern society, the film puts human beings in perspective, faced with the wall they’ve erected for themselves.<\/span><\/p>

Directed and edited by Annie Deniel<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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MURMURATION (2022)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Murmuration<\/strong><\/em> invites us to meet Kanope, a young Nigerian on his way to Europe. In a clever tale between fable and dream, Kanope reaches out to us and draws us into his hopeful journey. Inspired by real-life stories, the narrative is told by minor migrants who arrived in Sicily between 2015 and 2020.\u00a0 A shocking dive into humanity.<\/span><\/p>

Written and Directed by Patricia Bergeron<\/p>

Produced by Patricia Bergeron & Ghassan Fayad (Leitmotiv)<\/p>

2024 Immersive Futures Lab, SXSW<\/strong><\/p>

2024 Sheffield Doc Fest<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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FERNAND DANSEREAU : IN A LIFETIME - GOVERNOR GENERAL'S PERFORMING ARTS AWARDS (2022)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fernand Dansereau is one of Quebec\u2019s most prolific filmmakers, having produced, directed and written more than sixty documentaries, fiction films and television serial dramas. Over the course of his career, he has helped forge new filmmaking practices such as cin\u00e9ma de relation<\/em> and direct cinema. This short film traces a long journey, during which Dansereau has constantly travelled the pathways of creativity, with kindness as his guide, giving voice to people seeking to define the essence of a nation.<\/span>
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Directed by Sylvie Lapointe<\/p>

Produced by The National Film Board of Canada<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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CORRESPONDANCE (2022)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Several voices intertwine poetically with images in Correspondance, a personal and communal reflection on an abandoned school and the transformation of a gentrifying neighbourhood<\/span>.<\/span><\/p>

Directed by Laurence Ly<\/p>

Produced by INIS<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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PAS D'CHICANE DANS MA CABANE (2021)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Justine (12 years old, hardie) believes that she will be happier once her parents divorce. The only problem? They have no intention of doing so. Tired of the bickering and the climate at home since her mother’s miscarriage, Justine rallies her friends to create their own court.<\/span>
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Directed by Sandrine Brodeur-Desrosiers<\/p>

Produced by Forum Films<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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THE LOBSTER WHISPERER (2021)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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When Michael Sullivan is not fishing lobster, he\u2019s thinking about how to fish lobster. A 5th-generation fisherman living on Quebec’s Gasp\u00e9 coast, he has tasked himself with building 200 wooden traps during the cold, dark winter months while waiting for the next season to begin.<\/span>
<\/span><\/p>

Directed by Colin MacKenzie<\/p>

Produced by Whatnot<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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COIN SLOT (2021)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A young man struggles to keep it together as the anniversary of a traumatic attack looms ever closer.<\/span><\/p>

Directed by Scott Jones<\/p>

Produced by Aly Kelly<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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MIDLAND (2020)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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It\u2019s at the edge of the woods that satellites and bodies intersect.
Their inaudible dialogues sock rocks in purple ink. Gleams of dawn. Cold sun.
Capture the intangible, to dance the invisible.<\/h6>

Directed by Kim-Sanh Ch\u00e2u<\/p>

Produced by Equivoc’<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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BALAKRISHNA (2020)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue Editing<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Aparna Kapur and Colin MacKenzie use animation to revisit the poignant true story of Balakrishna<\/em><\/strong>, a bull elephant shipped from India to Halifax in 1967 as a promotional stunt.<\/h6>

Directed by Colin MacKenzie and Aparna Kapur<\/p>

Produced by Kat Baulu (The National Film Board of Canada)<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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HOTSPOT (2019)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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For several years now, virtual reality experiences have been offering us the chance to experience the migrant life. Unlike projects that provide a spectacular but short immersive experience, Hotspot<\/i><\/strong> combines VR and participatory documentary theatre to create an uncanny representation of migrant processing centres.<\/h6>

Created by Patricia Bergeron<\/p>

Produced by Leitmotiv<\/p>

2019 RIDM Montreal International Documentary Festival<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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DOGGY BAG (2019)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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One winter morning, Elisabeth finds her dead dog on the kitchen floor. The veterinary clinic being of no help for the transport, she has no choice but to carry herself the heavy corpse of her old friend. A day that begins in sadness quickly becomes frustrating and complicated as Elisabeth eventually experiences all kinds of trouble and meets people as banal as they are overwhelming.<\/span><\/p>

Directed by Pierre-Marc Tremblay Grandbois<\/p>

Produced by La Cabane<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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FAR FROM BASHAR (2019)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design of the new shots<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This documentary tells the story of a Syrian family in Montreal. As the children attempt to shape a daily life for themselves, their parents live in hope of one day returning to build their country<\/h6>

Directed by Pascal Sanchez<\/p>

Produced by Nathalie Cloutier (The National Film Board of Canada)<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ICE BREAKERS (2019)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue Editing<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ice Breakers<\/em><\/strong> is a documentary exploring the untold history of hockey and its African Nova Scotian forefathers through the present-day journey of Josh Crooks, a black teen who dreams of playing in the NHL.<\/span><\/h6>

Directed by Sandi Rankaduwa<\/p>

Produced by The National Film Board of Canada<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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BALAKRISHNA (2019)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Editing<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Aparna Kapur and Colin MacKenzie use animation to revisit the poignant true story of Balakrishna<\/em><\/strong>, a bull elephant shipped from India to Halifax in 1967 as a promotional stunt.<\/h6>

Directed by Colin MacKenzie and Aparna Kapur<\/p>

Produced by Kat Baulu (The National Film Board of Canada)<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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CONVICTION (2019)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Editing<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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What would you have needed in your life to avoid going to prison? Bianca, Treena, Laura and Caitlin, four inmates from Nova Scotia, address that question through different art forms and a filmic collaboration with this documentary\u2019s three directors.<\/h6>

Directed by Nance Ackerman, Ariella Pahlke, Teresa MacInnes<\/p>

Produced by Teresa MacInnes and Annette Clarke (NFB)<\/p>

2019 RIDM Montreal International Documentary Festival<\/strong><\/p>

2019 Hot Docs International Documentary Festival<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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STEAMPUNK CONNECTION (2018)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Through the creative and philosophical journey of three Steamers, this film offers a fascinating incursion into the heart of an international artistic community, inspired by science fiction and the Industrial Revolution, known as Steampunk.<\/h6>

Directed by Annie Deniel<\/p>

Produced by Les Films du Ricochet<\/p>

2019 Fantasia Festival<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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GUILLAUME (2018)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Editing and Mixing<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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When Guillaume was born, his life expectancy was four days.<\/span> He is eight years old now but his small heart won’t hold for a very long time. His<\/span> autism and his love for music make him a really special person, who has an intense passion for life.<\/span><\/h6>

Directed by Carole Lagani\u00e8re<\/p>

Produced by Spira<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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STANDING ON THE LINE (2018)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue Editing<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Paul Emile d’Entremont looks into homophobia in sport and explores the difficulties and impacts that occur when you decide to get out of the closet in this environment. Through moving testimonies, he tells two related stories : One in the world of elite athletes and one about young athletes in the Odyssee School in Moncton.<\/h6>

Directed by Paul Emile d’Entremont<\/p>

Produced by The National Film Board of Canada<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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BECOMING LABRADOR (2018)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue and FX Editing <\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In the stark Labrador interior, a growing number of Filipino workers have recently landed in Happy Valley-Goose Bay, travelling halfway around the world for jobs they hope will offer their families a better life. Becoming Labrador<\/em><\/strong> follows a handful of those people as they make a place for themselves while dealing with the unexpected costs of living far from their family.<\/h6>

Directed by Justin Simms, Tamara Segura, Rohan Fernando<\/p>

Produced by Annette Clarke and Rohan Fernando (The National Film Board of Canada)<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ZIVA POSTEC, THE EDITOR BEHIND THE FILM SHOAH (2018)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue and FX Editing <\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In 2018, Claude Lanzmann, the maker of the monumental Shoah<\/em><\/strong> film, died. Although she spent decades in the titan\u2019s shadow, the editor, Ziva Postec dedicated six years of her life to construct the right pace and sequence for 350 hours of footage. She recalls the gargantuan, painful and necessary task for Catherine Hebert\u2019s camera, revealing the film\u2019s profound impact on her personal life.<\/h6>

Directed by Catherine H\u00e9bert<\/p>

Produced by Christine Falco (Camera Oscura)<\/p>

2018 RIDM Montreal International Documentary Festival<\/strong><\/p>

2019 International Film Festival Rotterdam<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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WITH AIR AND SALT, AN UNBREAKABLE HEALTH (2018)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A slow walk reveals the history of an architecturally interesting, abandoned building to the sound of a Romanche poem read out by people of all ages living in the Engadine Valley.<\/h6>

Directed by Maia Iotzova<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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LOVE, SCOTT (2017)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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While walking on the street one night in a small town in Canada, Scott Jones, a gay musician, is attacked and paralyzed from the waist down. What follows is a brave and fragile journey of healing and the transformation of a young man\u2019s life.<\/h6>

Directed by Laura Marie Wayne<\/p>

Produced by Annette Clarke (The National Film Board of Canada)<\/p>

2018 Hot Docs Festival <\/strong><\/p>

2018 BFI Flare : London LGBTQ Film Festival<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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FAR FROM BASHAR (2017)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This documentary tells the story of a Syrian family in Montreal. As the children attempt to shape a daily life for themselves, their parents live in hope of one day returning to build their country<\/h6>

Directed by Pascal Sanchez<\/p>

Produced by Nathalie Cloutier (The National Film Board of Canada)<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ALGO, POLLY & TURCOT (2017)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue and FX Editing<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In Algo, Polly & Turcot<\/em><\/strong>, two resilient peregrine falcons make their home amidst the chaos of urban development and gentrification in Saint-Henri, a Montreal borough in the midst of massive change.<\/h6>

Directed by Alexandre Sheldon<\/p>

Produced by Les Productions Rapide Blanc and CBC<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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#6261 (2017)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue and FX Editing <\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The sense of belonging of eleven Montreal residents who share their immigration experience which is enriched by their understanding of elsewhere, others and globalization.<\/h6>

Directed by Kimura Byol – Nathalie Lemoine<\/p>

Produced by Microclimat Films and The National Film Board of Canada<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ESPRIT DE CANTINE (2017)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Whether we call them casse-cro\u00fbte, cantines or snack bars, a poutine is the usual order. Nicolas Paquet spent a summer meeting the people who run these rural fast-food joints, recording their everyday lives with loving details.<\/h6>

Directed by Nicolas Paquet<\/p>

Produced by FranC Doc<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ORE (2017)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This screendance project, shot in Saigon (Vietnam), follows 11 dancers. Believing in a deep and visceral body language, Kim-Sanh Ch\u00e2u & Ray Lavers\u2019s creation is intimate and assumes its own subjectivity.<\/h6>

Directed by Kim-Sanh Ch\u00e2u and Ray Lavers<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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LA FERME ET SON ETAT (2017)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue and FX Editing <\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This is a current portrait of the driving forces and the aberrations in Quebec’s agriculture.<\/span> During eighteen months<\/span>, the team followed young educated farmers who dream to make a responsible, innovative and ecological farming agriculture, in a system where they have difficulties to exist.<\/span><\/span><\/h6>

Directed by Marc S\u00e9guin<\/p>

Produced by Atelier Brooklyn<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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THE GIRLS OF MERU (2017)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue and FX Editing<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In Kenya, one in three girls will experience sexual violence before age 18, yet police investigations are the exception. In The Girls of Meru<\/em><\/strong>, a multinational team led by Canadian lawyer Fiona Sampson and Tumaini Shelter head Mercy Chidi Baidoo builds the case of 11 girls to pursue an unheard of legal tactic.<\/h6>

Directed by Andrea Dorfman<\/p>

Produced by Annette Clarke (The National Film Board of Canada)<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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THE LIGHT YEARS (2017)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue and FX Editing <\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An astrophysicist (Marion) and an extraterrestrial (Thomas) are in love. Tomorrow, they must say goodbye. It’s the price they must pay to free Thomas from the horrible affliction he is suffering from Earth. Thomas will leave our world and return to his planet. Marion accompanies him to the point of no return.<\/h6>

Directed by Sarianne Cormier<\/p>

Produced by Gabrielle Tougas-Fr\u00e9chette (Voyelles Films)<\/p>

Cast : Sarianne Cormier, S\u00e9bastien David, Aur\u00e9lie Brochu-Desch\u00eanes
<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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QUARTIERS SOUS TENSION (2017)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dialogue Editing<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Gentrification means progress for some, turmoil for others. Montrealers who drive gentrification, observe it or suffer from it, speak out.<\/h6>

Directed by Carole Lagani\u00e8re<\/p>

Produced by InformAction Films, Radio Canada and RDI<\/p>

2018 G\u00e9meaux award for Best director of a documentary<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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QUEBRA-CABE\u00c7A (2016)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sound Design<\/h2>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dora is a perfectionist and obstinate woman who leaves no puzzle unsolved. Until the day she faces an unexpected enigma.<\/h6>

Directed and produced by Ollivier Briand<\/p>

Cast : Dora Da Cruz, Pedro N\u00f9\u00f1ez, In\u00eas Caba\u00e7o<\/p>

2016 Kaohsiung Film Festival (Ta\u00efwan)<\/strong>
2016 JURY PRIZE Festival Eurydice, F\u00e9camp (France) <\/strong>
2016 PUBLIC PRIZE Festival Courts-en-Champagne, A\u00ff (France)<\/strong>
2016 ShortCutz, Lisbon (Portugal) <\/strong>
2017 Festival International du Film d’Aubagne (France) <\/strong>
2017 Festival Les Toutes Premi\u00e8res Fois Grasse (France) <\/strong>
2017 GoDebut European Film Festival, Klaipeda (Lithuanie) <\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\tWATCH HERE<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

THE BLUEBERRY BLUES (2024) Sound Design Summer unveils a new blueberry season in Quebec. The fields are covered in blue and workers from all over scramble before the frost puts an end to the harvest. And yet this time of year is much more than just picking: it’s a time of music and connection. Directed<\/p>\n

Continue Reading \u00ab\u00a0Filmography\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-64","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp258652.wpdns.ca\/index.php?rest_route=\/wp\/v2\/pages\/64","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp258652.wpdns.ca\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp258652.wpdns.ca\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp258652.wpdns.ca\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/wp258652.wpdns.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=64"}],"version-history":[{"count":162,"href":"https:\/\/wp258652.wpdns.ca\/index.php?rest_route=\/wp\/v2\/pages\/64\/revisions"}],"predecessor-version":[{"id":979,"href":"https:\/\/wp258652.wpdns.ca\/index.php?rest_route=\/wp\/v2\/pages\/64\/revisions\/979"}],"wp:attachment":[{"href":"https:\/\/wp258652.wpdns.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}